
Aldo Vázquez
Set & Costume designer
Aldo is a Mexican set and costume designer based in the UK. He trained at Bristol Old Vic Theatre School with an MA in Theatre Design, and a BA in Visual Arts from the UNAM/ ENAP, México City. He has worked both in México and the UK collaborating with international directors and actors from Argentina, Canada, China, México, USA, UK, and Switzerland.
In the UK he designed for RSC Swan theatre’s production of Falkland Sound written by Brad Birch and directed by Aaron Parsons. Theatre 503’s The Boys Are Kissing by Zak Mahinfar directed by Lisa Spriling and Moreno written by Pravin Wilkins and directed by Nancy Medina (2022).
He has worked in several graduating shows for Bristol Old Vic Theatre School and Bristol School of Acting with such directors as: Nancy Medina, Tom Morris, Aaron Parsons, Donaccadh O’Briain & Derek Bond (2020-2022).
Alongside his work in theatre he designed the costumes for the reopening of Battersea Power station (2022)
In México he has designed for a variety of different projects, as well as being part of three of the annual Festival Internacional Teatro Universitario, and designed for the Swiss-Mexico Dramafest festival.
He has collaborated with the following directors: Enrique Singer, Teatro ojo, Angélica Rogel, Paula Zelaya, Edurne Goded, Emiliano Dionisi, He Hao, Francine Alepin and Mathieu Bertolet.
AWARDS
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THEATRE PRODUCTIONS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
Choir Boy | Bristol Old Vic Theatre | 2023 | Associate Designer |
Falkland Sound | Royal Shakespeare Company | 2023 | |
The Boys Are Kissing | Theatre 503 | 2023 | |
Icarus | Bristol Old Vic Theatre School | 2022 | |
Robin and Marian | Bristol Old Vic Theatre School | 2022 | |
Fefu and Friends | Bristol Old Vic Theatre School | 2022 | |
Moreno | Theatre 503 | 2022 | |
Romeo and Juliet | Bristol Old Vic Theatre School | 2021 | |
Our House | Bristol School of Acting | 2021 | |
Pigeon English | Bristol Old Vic Theatre School | 2021 | |
Caresses | Bristol School of Acting | 2021 | |
Pish! | Bristol School of Acting | 2021 | |
The Suicide | Bristol School of Acting | 2021 | |
Pericles | Bristol Old Vic Theatre School | 2020 | |
Boy | Bristol School of Acting | 2020 | |
La escuela del dolor humano | Teatro Santa Catarina | 2020 | Costume Design |
Mensajes | FITU/Cultural exchange with Canada | 2019 | |
Sasha y Spot | Teatro el Galeón | 2018 | |
Me Hago la Muerto | Teatro el Milagro | 2018 | |
Se compran Corazones | Teatro Lopez Tarso | 2018 | Costume Design |
Aves Alborozadas/Vine a decir Adiós | FITU/Cultural exchange with China | 2018 | |
El Jardín do los Cerezos | Foro Shakespeare | 2017 | Costume Design - Nominated for Best Costume by the Premios ACPT 23 entrega |
El funesto destino de Karl Klotz | El Granero | 2017 | |
Sesión Permanente | Foro del CUT | 2017 | Costume Design |
El Apego | FITU/Cultural exchange with Argentina | 2017 | Costume Design |
Loveplay | Hamilton House | 2017 | |
King Lear | Bristol Old Vic Theatre School | 2017 | |
Swallow | Alma Tavern | 2016 | |
The Tempest | Redgrave Theatre | 2016 | |
Anes de la Caída | CNA Black Box Theatre | 2015 | |
Manual de Desuso | El Milagro | 2014 |
TV & FILM CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
The Courtship | Reality Show | 2021 | |
Crimes of The Heart | Company BoomSatsuma/ BSA | 2020 | |
Cascajo | Short film | 2019 | |
Que estés aquí | Short film/ Limonada Taller | 2019 |
Events
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
Reopening of Battersea Power Station | Battersea Power Station | 2022 | Costume Designer |
Desfile de día muertos | Mexico City | 2019 | Props Coordination Assistant |
Desfile de día muertos | Valle de Bravo | 2018 | Costume coordinator |
OPERA CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
Name of production | National Theatre | 2019 | Lorem ipsum dolor |
Name of production | National Theatre | 2019 | Lorem ipsum dolor |
