Melanie Wilson
COMPOSER & SOUND DESIGNER
Melanie Wilson is a Manchester based multi-disciplinary performance maker. Her acclaimed work is founded on the contemporary interplay between sound art, experimental forms of composition, language and live performance, and is under-pinned by political interest.
AWARDS
OFFIE AWARD
AUTOBIOGRAPHER Best Sound Design 2011
DUBLIN FESTIVAL
IRIS BRUNETTE Best Production 2009
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
Where I Go (When I Can't Be Where I Am) | Rachel Bagshaw & China Plate | 2020 | Short Film |
| Orlando | Schaubühne, Berlin | 2019 | sound & composition |
| When We Have Sufficiently Tortured Each Other | National Theatre | 2019 | sound & composition |
| Radical Mother | Latitude &TEDx | 2019 | script & composition |
| Women of Record | A Woman's Place Exhibition, National Trust, Knole House | 2018 | sound art |
| You Move Me | NN Contemporary | 2018 | installation |
| Meek | Headlong & UK Tour | 2018 | sound & composition |
| The Shape of the Pain | China Plate, UK Tour & Wilton's Music Hall | 2018 | sound & composition |
| Anatomy of a Suicide | Royal Court | 2017 | sound & composition |
| Kingdom Come | Royal Shakespeare Company | 2017 | sound, composition & devising |
| Uncle Vanya | HOME, Manchester | 2017 | sound design |
| Cleansed | National Theatre | 2016 | sound design |
| Schatten (Eurydike sagt) | Schaubühne, Berlin | 2016 | co-sound design |
| Reisende auf Einem Bein | Deutsches Schauspeilhaus, Hamburg | 2015 | co-sound design |
| Playing for Time | Crucible Theatre, Sheffield | 2015 | sound design |
| The Forbidden Zone | Salzburg Festival & 14-18 Now | 2014 | sound design |
| Wunschloses Unglück | Burg Theatre, Vienna | 2014 | sound design |
| Landscape II | Dublin Festival & Touring | 2013 | script, performance & sound design |
| Die Gelbe Tapete | Schaubühne, Berlin | 2013 | sound design |
| Reise durch die Nacht | Schauspeilhaus, Cologne | 2013 | sound design |
| Cupid | mac, Birmingham & BAC | 2012 | sound design |
| Autobiographer | Toynbee Studios & Touring | 2011 | script, performance & sound design |
| The View From Here | BAC & Third Coast International Radio | 2010 | installation & radio |
| Iris Brunette | BAC & Touring | 2009 | script, performance & sound design |
| Simple Girl | Edinburgh Fringe Festival | 2008 | script, performance & sound design |
TV & FILM CREDITS
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
DANCE CREDITS
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
OPERA CREDITS
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
| Opera for the Unknown Woman | Wales Millenium Centre & Touring | 2016 | libretto, sound & co-composition |
