
Michael John McCarthy
Composer / Sound Designer / Arranger
Michael is a Cork-Born, Glasgow-based composer, musician, and sound designer.
AWARDS
OLIVIER AWARDS
PRIDE AND PREJUDICE* (*SORT OF) – Best Entertainment or Comedy Play (2022)
Scotsman Edinburgh Fringe First AWARDS
THE GRAND OLD OPERA HOUSE HOTEL (2023), ENGLAND AND SON (2023), THE LAST RETURN (2022), WHAT GIRLS ARE MADE OF (2018), ULSTER AMERICA (2018), THE RED SHED (2016), HEADS UP (2016), THE INTERFERENCE (2016), LIGHT BOXES (2015), A GAMBLER’S GUIDE TO DYING (2015), LETTERS HOME (2014), EDUCATING RONNIE (2012)
Critics Awards for Theatre in Scotland
ULSTER AMERICAN – Best Production (2019)
Irish Times Theatre Awards
JIMMY’S HALL – Best Soundscape 2018 (nomination)
THEATRE CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
England and Son | Roundabout, Edinburgh; HOME & UK Tour | 2023 | Sound Designer |
The Grand Opera House Hotel | Traverse Theatre | 2023 | Composer & Musical Supervisor |
What Girls Are Made Of | Raw Materials/ Edinburgh Festival | 2023 | Composer/Arranger |
Kidnapped | National Theatre of Scotland | 2023 | Composer & Musical Supervisor |
Little Red Riding Hood | Citizen's Theatre | 2022 | Composer & Musical Supervisor |
Cinderella | Dundee Rep | 2022 | Composer and Lyricist |
The Last Return | Galway International Festival & Edinburgh Festival | 2022 | Sound Designer and Composer |
The Strange Undoing of Prudencia Hart | Royal Exchange Theatre | 2021 | |
Pride and Prejudice* (*sort of) | West End & UK Tour | 2021 | Music Supervisor & Co-Sound Designer |
A Gambler's Guide to Dying | Traverse Theatre | 2020 | Digital Project |
Dundee Rep Christmas Window Installation | Dundee Rep | 2020 | Audio installation |
Lyceum Christmas Tales | Lyceum Theatre, Edinburgh | 2020 | |
Shades of Tay project | Pitlochry Festival Theatre | 2020 | Digital Project |
When? | National Theatre of Scotland | 2020 | Digital Project |
Nora: A Doll’s House | Young Vic | 2020 | |
Nora: A Doll’s House | Citizen’s Theatre | 2019 | |
Whatever Happened to the Jaggy Nettles? | Citizen’s Theatre | 2020 | |
I Can Go Anywhere | Traverse Theatre | 2019 | |
Pride and Prejudice* (*sort of) | Tron Glasgow, Lyceum Edinburgh and UK Tour | 2019/20 | |
Tay Bridge | Dundee Rep Theatre | 2019 | |
Crocodile Fever | Traverse Theatre | 2019 | |
Like Animals | Superfan | 2019 | |
The Duchess (of Malfi) | Lyceum Edinburgh & Citizen’s Theatre | 2019 | |
The Cheviot, The Stag and the Black, Black Oil | National Theatre Of Scotland & Dundee Rep | 2019 | |
What Girls Are Made Of | Traverse Theatre, Raw Materials & UK Tour | 2018/19 | Critics Awards for Theatre in Scotland Best Use of Music & Sound nominee |
Gaslight | Perth Theatre | 2019 | |
Miss Julie | Perth Theatre | 2019 | |
Wendy & Peter Pan | Lyceum Edinburgh | 2018 | |
Ulster American | Traverse Theatre | 2018 | |
The Hour We Knew Nothing of Each Other | Lyceum Edinburgh | 2018 | |
Gut | Traverse Theatre/Tron Glasgow | 2018 | |
Space Ape | Red Bridge Arts | 2018 | Winner - Critics Awards for Theatre In Scotland 2018 for Best Production for Families & Young People |
Ceilidh | Theatre Gu Leor | 2018 | |
Showtime From The Frontline | Mark Thomas | 2018 | |
How To Disappear | Traverse Theatre | 2017 | |
Rocket Post | National Theatre Of Scotland & Dundee Rep | 2017 | |
August: Osage County | Dundee Rep Theatre | 2017 | |
Turntable | Red Bridge Arts | 2017/18 | Writer & performer |
Jimmy’s Hall | Abbey Theatre Cork/Project Arts Centre | 2017/18 | Irish Times Theatre Awards Best Soundscape nominee |
Futureproof | Everyman | 2017 | |
Glory On Earth | Lyceum Edinburgh | 2017 | Critics Awards for Theatre in Scotland Best Use of Music & Sound nominee |
A Number | Lyceum Edinburgh | 2017 | |
God of Carnage | Tron Glasgow | 2017 | |
George’s Marvellous Medicine | Dundee Rep Theatre | 2016 | |
The Gorbals Vampire | Citizen’s Theatre | 2016 | |
Grain In The Blood | Traverse Theatre/Tron Glasgow | 2016 | |
Trainspotting | Citizen’s Theatre | 2016/17 | |
The Red Shed | Mark Thomas | 2016 | |
Heads Up | Kieran Hurley/Show & Tell | 2016 | |
The Interference | Pepperdine Edinburgh | 2016 | |
The Lonesome West | Tron Theatre | 2016 | |
JRR Tolkien’s Leaf By Niggle | Puppet State Theatre | 2016 | |
The Silent Treatment | Lung Ha | 2016 | |
The Weir | Lyceum Edinburgh | 2016 | |
Rapunzel | Citizen’s Theatre | 2016 | |
Puss In Boots | Platform Glasgow | 2016 | |
Light Boxes | Grid Iron | 2015 | |
A Gambler’s Guide to Dying | Gary McNair/Show & Tell | 2015 | |
Into That Darkness | Citizen’s Theatre | 2015 | |
Fever Dream: Southside | Citizen’s Theatre | 2015 | |
Three Little Pigs | Platform Glasgow | 2014 | |
Bondagers | Lyceum Edinburgh | 2014 | |
Blabbermouth | National Theatre Of Scotland | 2014 | |
Letters Home | Grid Iron | 2014 | Director of England In A Pink Blouse |
The Tin Forest | National Theatre Of Scotland | 2014 | |
Under Milk Wood | Tron Theatre | 2014 | |
Sports Day | Citizen’s Theatre | 2014 | |
Red Riding Hood | Platform Glasgow | 2013 | |
The BFG | Dundee Rep Theatre | 2013 | |
In Time o’ Strife | National Theatre Of Scotland | 2013 | |
The Drowning Pond | Youth Music Theatre UK | 2013 | |
Some Other Mother | AJ Taudevin/Tron Theatre | 2013 | |
The Day I Swapped My Dad For Two Goldfish | National Theatre Of Scotland | 2013 | |
Un Petit Moliere | Lung Ha | 2013 | |
The Winter’s Tale | People’s Light & Theatre, Philadelphia | 2013 | |
Goldilocks | Platform Glasgow | 2012 | |
The Authorised Kate Bane | Grid Iron | 2012 | |
Educating Ronnie | Macrobert | 2012 | |
Steel Magnolias | Dundee Rep Theatre | 2012 | |
Truant | National Theatre Of Scotland | 2011 | |
Pause With A Smile | Gareth Nicholls/The Arches | 2011 | |
99…100 | National Theatre Of Scotland | 2010 | |
The Not-So-Fatal Death of Grandpa Fredo | Vox Motus | 2010 | Critics Awards for Theatre in Scotland Best Use of Music & Sound nominee |
Birds & Other Things I Am Afraid Of | Lynda Radley/The Arches | 2009 | |
The Night Before Christmas | Macrobert | 2009 | |
Bright Black | Vox Motus | 2009 | |
Do A Dance No One Can See You Do… | National Theatre Of Scotland | 2009 | |
Dolls | National Theatre Of Scotland | 2009 | Critics Awards for Theatre in Scotland for Best Use of Music & Sound nominee |
The Heights | Playgroup | 2008 | |
The Coming World | Making Strange | 2007 | |
The Art of Swimming | Playgroup | 2006-09 | |
Soap! | Playgroup | 2003-04 |
TV & FILM CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
Hey! Ronnie Reagan | Marmalade Films | 2018 | |
On The Hemline | Tyrella Pictures | 2017 | |
Pitching Up | Guardian Documentaries | 2017 |
DANCE CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
Endling | Rob Heaslip Dance | 2019 | |
Glory | Janice Parker Projects | 2014 |
AUDIO CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
---|---|---|---|
The Mother Load | Lyceum Edinburgh | 2021 | Audio play |
Dream Frequencies | Traverse Theatre | 2021 | Podcast |
Denouement | Traverse Theatre | 2020 | Audio play |
