Pete Malkin
SOUND DESIGNER
Pete Malkin is a Sound Designer for Theatre and Film. He trained at the Royal Central School of Speech and Drama.
AWARDS
TONY AWARDS
THE ENCOUNTER – Special Award for Sound Design (with Gareth Fry) (2017)
DRAMA DESK AWARDS
THE ENCOUNTER – Outstanding Sound Design for a Play (with Gareth Fry) (2017)
HELPMANN AWARDS
THE ENCOUNTER – BEST Sound Design (with Gareth Fry) (2017)
EVENING STANDARD AWARDS
THE ENCOUNTER – Best Design (with Gareth Fry) 2016
THEATRE CREDITS
PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
The Time Traveller's Wife | West End | 2023 | Sound effects designer |
Death Of England: Closing Time | National Theatre | 2023 | Co-design with Ben Grant |
Othello | National Theatre | 2022 | Co-Composer & Sound Designer with Ben Grant |
Let The Right One In | Royal Exchange Theatre | 2022 | Sound Designer |
Harry Potter & the Cursed Child | Tokyo | 2022 | International Associate Sound Designer (New one-part version) |
Harry Potter & the Cursed Child | Toronto | 2022 | International Associate Sound Designer (New one-part version) |
The Chairs | Almeida Theatre | 2022 | Co-design with Elena Peña |
Harry Potter & the Cursed Child | San Francisco | 2022 | International Associate Sound Designer (New one-part version) |
Harry Potter & the Cursed Child | Broadway | 2021 | International Associate Sound Designer (New one-part version) |
Deciphering | Curious Directive | 2021 | Co-Design with Kieran Lucas |
Shade | ThickSkin Theatre | 2021 | |
Death of England: Delroy | National Theatre | 2020 | Co-design with Ben Grant |
Death of England | National Theatre | 2020 | Co-design with Ben Grant |
| Harry Potter & the Cursed Child | Hamburg Mehr Theatre | 2020 | International Associate Sound Designer |
| Harry Potter & the Cursed Child | San Francisco | 2019 | International Associate Sound Designer |
| There is A Light That Never Goes Out | Royal Exchange Theatre | 2019 | |
| The Cherry Orchard | Toneelgroep | 2019 | |
| Privacy | Kilden Performing Arts Centre | 2019 | |
| The Unreturning | Frantic Assembly, UK Tour | 2018 | Offie Awards Best Sound Design nominee and Theatre & Technical Awards Creative Innovation in Sound nominee |
| Death of a Salesman | Royal Exchange Theatre | 2018 | |
| Pity | Royal Court | 2018 | |
| Queens of the Coal Age | Royal Exchange Theatre | 2018 | |
| Schism | Park Theatre | 2018 | |
| Frogman | Curious Detective, Shoreditch Town Hall & International Tour | 2018 | |
| The Encounter | Complicité, Barbican Theatre & European Tour | 2018 | Co-Design with Gareth Fry |
| Harry Potter & the Cursed Child | Broadway | 2018 | International Associate Sound Designer |
| The Last Testament of Lillian Bilocca | Hull City of Culture | 2017 | |
| The Seagull | Lyric Hammersmith | 2017 | |
| White Bike | the Space | 2017 | |
| Frogman | Curious Directive, Edinburgh Fringe Festival & UK Tour | 2017 | |
| The Kids Stays in the Picture | Royal Court | 2017 | Broadway World UK Best Sound Design of a New Production of a Play or Musical nominee |
| The Encounter | Complicité International Tour | 2017 | Co-Design with Gareth Fry Outer Critics Circle Awards Outstanding Sound Design nominee |
| The Tempest | Donmar Warehouse, St Anns Warehouse New York | 2017 | |
| Beware of Pity | Complicité, Schaubühne Barbican Theatre | 2017 | |
| Harry Potter & the Cursed Child | West End | 2016 | International Associate Sound Designer |
| The Encounter | Barbican Theatre & John Golden Theatre, Broadway | 2016 | Co-Design with Gareth Fry |
| The Tempest | Donmar Warehouse, Kings Cross Theatre | 2016 | |
| Home Chat | Finborough Theatre | 2016 | Offie Awards Best Sound Design nominee |
| Beware of Pity | Complicité, Schaubühne Berlin | 2016 | |
| Andrea Chenier | Opera North, UK Tour | 2016 | |
AUDIO CREDITS
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
Walk This Play | ThickSkin Theatre | 2021 |
DANCE CREDITS
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
OPERA CREDITS
| PRODUCTION | VENUE/PRODUCER | YEAR | NOTES |
|---|---|---|---|
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor sit amet, consectetur |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
| Name of production | National Theatre | 2019 | Lorem ipsum dolor |
